Double Negative
Hardcore Confusion Vols. I&II
(Sorry State)
These singles … man, I’ve listened to them over and over and over since they showed up in my mailbox over two weeks ago, and I’m still finding it hard to put into words what they’re like. Double Negative doesn’t adhere to any sort of formula. Why does “Writhe” go into a reptitious throb at the end, only to start looping in upon itself again, then suddenly end? Why is “Cunny Hop” simultaneously the most offensive and most fantastic song title ever?
Hell, “Cunny Hop” – from Hardcore Confusion Vol. I just blasts through in its short time, and while there’s a certain amount of Jesus Lizard in some of the other tracks, that track is like Motorhead at its most speed-freak. It’s a blast of intense energy. All the tracks are, really, but they all bear some sort of strange earmark that makes them each stand out. There’s a guitar tone that runs through everything, and the vocals’ snotty edge tear into each song.
Honestly, it’s like there’s a progression from each side and each single. Hardcore Confusion Vol. I’s a-side, “Writhe,” is outdone by its b-side, “Cunny Hop,” which is turn bested by Hardcore Confusion Vol. II’s “Fat City Address,” with “Face Jam” appropriately rocking your face off. After both 7-inches, you’re left bloody and beaten, terribly afraid of what the next two installments will do to you.
Both the singles have a sort of yellow/red marble that matches the artwork. It’s nice. This is a project that’s put together so well, I’m astounded. If the remaining installments of Hardcore Confusion show this amount of detail, this might count as the best EP of 2011. Collectively.